Ebook Ethnomimesis: Folklife and the Representation of Culture, by Robert S. Cantwell
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Ethnomimesis: Folklife and the Representation of Culture, by Robert S. Cantwell
Ebook Ethnomimesis: Folklife and the Representation of Culture, by Robert S. Cantwell
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Wide-ranging and provocative, this book will fascinate all those intrigued by how we create and perpetuate our representations of folklife and culture. Ethnomimesis is Robert Cantwell's word for the process by which we take cultural influences, traditions, and practices to ourselves and then manifest them to others. Ethnomimesis is an element of ordinary social communication, but springing out of it, too, is that extraordinary summoning up that produces our literature, our art, and our music. In the broadest sense, ethnomimesis is the representation of culture. Using such diverse cultural artifacts as King Lear and an eighteenth-century English manor garden to deepen our understanding of ethnomimesis, Cantwell then explores at length the representation of culture in our national museum, the Smithsonian, focusing especially on the Festival of American Folklife. Like many other such exhibitions, the Festival enacts presentations of culture across the boundaries of rank and class, race and ethnicity, gender and the life cycle. Like the concept of 'folklife' itself, Cantwell argues, the Festival stands where ethnomimesis finds its creative source, at the cultural frontier between self and other. That boundary, and the energy that accumulates there, runs through the many, varied 'exhibits' of this book.
- Sales Rank: #2891357 in Books
- Brand: Brand: The University of North Carolina Press
- Published on: 1993-11-27
- Original language: English
- Number of items: 1
- Dimensions: 9.21" h x .78" w x 6.14" l, 1.24 pounds
- Binding: Paperback
- 346 pages
- Used Book in Good Condition
Review
"This is a book to dream with, and on.
"Journal of Popular Culture""
"A work of keen intelligence.
Richard Price, coauthor of "Equatoria""
A brilliant meditation on modernity and its discontents.
"American Craft"
This is a book to dream with, and on.
"Journal of Popular Culture"
A work of keen intelligence.
Richard Price, coauthor of "Equatoria"
Review
A work of keen intelligence. . . . I know of no other book that brings within a single compass such a broad range of problems regarding museums, folklife festivals, and the postmodern condition. Its almost hallucinatory quality pulls the reader into its mythologizing web and recasts . . . the everyday cultural encounters in which we engage.--Richard Price, coauthor of Equatoria
Represents in many ways scholarship at its most imaginative and creative--and interpretative--and what books ought to be. . . . This is a book to dream with, and on, and should be read by all of us who are interested in culture, folklore, the Folk Festival--or the human community.--Journal of Popular Culture
A brilliant meditation on modernity and its discontents. . . . With intelligence and sympathy, Cantwell shows how in our society privilege comes at a high price.--American Craft
From the Back Cover
Wide-ranging and provocative, this book will fascinate all those intrigued by how we create and perpetuate our representations of folklife and culture.
Most helpful customer reviews
5 of 5 people found the following review helpful.
Trenchant Study of Folklife Festival
By A Customer
This book is fascinating but somewhat over-written. Cantwell started out his research by working on a history of the Festival of American Folklife. When this project was curtailed due to foreseen circumstances, he reworked his research into a review and critique of the festival. The book examines the festival in terms of ways in which participants, performers, producers, audience members, and others in the cast of characters act out their various roles on the mall in Washington DC. Cantwell focuses his study on the idea that the festival provides a way to break stereotypes about other people. He develops his argument to emphasize that stereotyping can involve a range of factors including arbitration of meanings as well as enagements with "the other." Throughout the book, he makes deep inquiries into the salience of stereotyping within American history and culture. The book is best when Cantwell writes interpretive descriptions of what he observed at the festival and what he has researched in archives and libraries. At times, however, the bulky theoretical apparatus and the over-blown jargon detracts from the rich, sensitive insights that the writer makes about American (folk)life. Despite the opaqueness of many sections, this book is an amazing study of festivity in American life.
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