PDF Download Jean Toomer, Artist: A Study of His Literary Life and Work, 1894-1936, by Nellie Y. McKay
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Jean Toomer, Artist: A Study of His Literary Life and Work, 1894-1936, by Nellie Y. McKay
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Toomer's literary career began in 1923 with the publication of Cane, the first and one of the finest portrayals of the black experience, and ended, somewhat mysteriously, thirteen years later with the publication of the long poem "Blue Mountain." Toomer and his work were forgotten until the black movement of the late 1960s rediscovered Cane, and a fresh generation of critics praised its aesthetics and philosophical merits. McKay explores the growth and decline of Toomer as a literary artist.
Originally published in 1987.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
- Sales Rank: #1669297 in Books
- Brand: Brand: The University of North Carolina Press
- Published on: 1987-11-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .92 pounds
- Binding: Paperback
- 280 pages
- Used Book in Good Condition
Review
"Turning her attention to one of the most enigmatic figures of the Harlem Renaissance era, McKay demonstrates the value of granting extended attention to Toomer, who despite publishing only one novel occupies a position of central importance in the history of Afro-American fiction."--"Modern Fiction Studies"
Review
Turning her attention to one of the most enigmatic figures of the Harlem Renaissance era, McKay demonstrates the value of granting extended attention to Toomer, who despite publishing only one novel occupies a position of central importance in the history of Afro-American fiction.--Modern Fiction Studies
Most helpful customer reviews
2 of 3 people found the following review helpful.
Thoughtful and balanced
By negriti
Nellie McKay's study of Jean Toomer is a careful and contexturalized assessment of Toomer and his writings. She resists the tendency in contemporary racial politics to applaud uncritically Toomer's assertions that he was not African American. As is quite obvious to anyone who has studied the 1920s in America, how one looked, as in skin color, was not the only factor that defined one's race; race was imposed brutally by a white institutional system using a variety of criteria; and it was also chosen by African Americans as a protest against the notion that the default American identity was European American. Toomer came from a long line of African Americans who made the political decision to define themselves as Negro despite their mixed-race heritage, in part as solidarity with those millions of darker skinned African Americans who could not "pass" into European-Americanness. Toomer broke with that tradition when he declared he was not Negro, a declaration made, interestingly, only after he had won fame for writing a book, Cane, that most, including his publishers, understood as a book by a Negro. Indeed, McKay's study was the first to interpret Cane as not necessarily a search for racial identity. This book deserves to be read as a needed antidote to the recent canonization of Toomer as a ideologist of post-blackness.
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