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After 9/11: America's War on Terror (2001- ), by Sid Jacobson, Ernie Colón
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Having made The 9/11 Commission Report understandable for everyone, the award-winning, bestselling graphic novel team of Sid Jacobson and Ernie Colón use all their considerable talents to explain the post-9/11 world. Working from news reports drawn from multiple international media, Jacobson and Colón depict the critical events, decision makers, and consequences of America's "war on terror," and, most important, the context in which the war began, unfolded, and unraveled. The most demanding story they have ever tackled, After 9/11 is also the most tailor-made for their medium, capturing simultaneous events, geographic complexity, numerous participants, and a vast array of economic, statistical, and quantitative information―compellingly told through the sequential panel art narrative form unique to graphic books. Proving yet again that graphic novels best meet the challenge of giving the most information with the least amount of ink, Jacobson and Colón answer with clarity and unforgettable imagery the question: How the hell did we end up where we are?
- Sales Rank: #1715279 in Books
- Published on: 2008-08-19
- Released on: 2008-08-19
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .37" w x 6.00" l, .76 pounds
- Binding: Paperback
- 160 pages
From Publishers Weekly
Having already tackled the new millennium's most explosive government document, The 9/11 Commission Report, in bestselling comic form, former Marvel Comics executive editor Jacobson and journeyman artist Colón go for a less scripted take on recent history with this vivid graphic take on the wars that erupted after 9/11. Not relying on one single source allows Jacobson and Colón to be more wide-ranging in their examination of the war on terror. As journalism, Jacobson's work is nothing particularly fresh, relying on a steady march of bullet-point news squibs about the Afghanistan and Iraq wars and sidebar background material to fill out its densely packed pages. Colón's chaotic and highly physical artwork helps bring the occasionally dry recitation to life; his liberal use of bloody war-zone carnage shockingly illustrates how little such things are shown by the Western media. Jacobson keeps his tone as even as possible, save for the unavoidable details of hypocrisy or incompetence (of which there are sadly many), helping to make the book an excellent choice for educators looking for an accessible single-volume take on the subject. All in all, After 9/11 stands apart as the graphic novel equivalent of a particularly cogent Frontline report. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From School Library Journal
Grade 10 Up—In this follow-up to The 9/11 Report: A Graphic Adaptation (Hill & Wang, 2006), Jacobson and Colón offer readers an incisive report on the U. S. government's activities, in both foreign and domestic theaters, in response to the perceived threat of continuing terrorist incursions. Densely packed panels explicate diplomatic, political, military, and popular discussions; edicts; and activities through narrative, carefully chosen quotes, and images that vary in style from photorealism to symbolic idioms. An example of the latter is the iconic sound of a submachine gun, accompanied by a spray of blood, to indicate each assassination cataloged here. Both teen researchers and those with an interest in American foreign affairs will find this a helpful guide to events, although the period it covers is necessarily brief and still open-ended. Panel layout is less felicitous than in most graphic-novel-style nonfiction, but readers can graze a page to cull its messages rather than needing to follow a specific path. A must for any collection supporting American history and government curricula.—Francisca Goldsmith, Halifax Public Libraries, Nova Scotia
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
“When it comes to dramatic adaptations of factual events, nobody does it better than Sid Jacobson and Ernie Colón. After 9/11 is not only a spectacular, eminently readable graphic novel but a prime example of the perfect marriage between journalism and art.” ―Stan Lee
“In addition to providing a vividly comprehensible time line, After 9/11 makes intelligible--in a way that even an overtaxed Presidential candidate can grasp--the tribal and religious-factional complexities within Iraq and Afghanistan.” ―The New Yorker
“Ernie Colón's work has never been more effectively used. His illustrations generate a clarity and power, making complex and intensely dramatic situations comprehensible.” ―Joe Kubert
“A meditation on war, an evenly paced and sanguine presentation of America's reaction to terrorism, and the ensuing violence that trails behind the growing American and Muslim conflict in the Middle East . . . At its most brilliant, Jacobson and Colon are cartographers, assembling a map of the terror that has since erupted around the world. Starting at the beginning, they sum up each individual part, as if to pinpoint a place in the chaos and say, ‘We are here.'” ―Kai-Ming Cha, Playboy.com
“After 9/11 stands apart as the graphic novel equivalent of a particularly cogent Frontline report. . . . An excellent choice for educators looking for an accessible single-volume take on the subject.” ―Publishers Weekly
Most helpful customer reviews
7 of 8 people found the following review helpful.
Editorializing the Post 9/11 World
By Richard C. Geschke
Jacobson and Colon's After 9/11 is supposed to be a continuation of their first graphic depiction of the 9/11 Report. These two works are not of the same genre. The 9/11 Report was indeed factual and told of the major aspects of the 9/11 Report written by that Committee.
After 9/11, represents Jacobson and Colon telling us of life in the World after 9/11. This work, in which much of it I do agree with, is a look at the World with an editorial slant.
The Authors bring up the valid points of no WMD and the fact of the Bush administration gathering false intelligence to substantiate the preemptive attack of Iraq. What was the purpose?
Jacobson and Colon have correctly identified how America got into this mess and how we ostracized our Allies. Most of this adaptation is done very well.
The only area in which I believe the Authors fall short in was their detailing of the successes of the Surge. After all fair is fair. Tell it like it is, leave your prejudice behind. Tell the entire story including the parts which don't support your thesis.
Also some of the descriptive balloons were hard to read because the dark print blended into the dark background.
In all, I found this graphic narrative worth the read. This is not as good as the 9/11 Report, but I do recommend this graphic narrative.
1 of 1 people found the following review helpful.
Moving graphics
By Kindle Customer
Had to read this book for a class. It brought up great discussions! The graphics are very moving, and assist in expressing the horrific subject.
0 of 0 people found the following review helpful.
The other reviewers must have been reading a completely different book than I did
By R. Stein
This is an excellent "people's history book" in the sense that the authors collated articles from multiple sources and included everything, not only what would be considered "patriotic." I've read other reviews and the readers seem to agree that there was some kind of bias within its pages...I saw none of that. This graphic novel simply presents facts, figures and quotes like read history books should. I think most people are so used to being lied to that they don't understand what truth looks like anymore. One day, your kid is going to come home and tell you they're learning about 9/11 and the invasion of Iraq. Just for kicks you just might skim through their "history" book and I would imagine what you read won't resemble what really went down. That's when you're going to want to have this book handy so your kid isn't completely ignorant.
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