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Cyrano de Bergerac (Bantam Classics), by Edmond Rostand
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Translated by Anthony Burgess.
- Sales Rank: #4806655 in Books
- Brand: Brand: San Val
- Published on: 1950-11
- Original language: English
- Number of items: 1
- Dimensions: .71" h x 4.28" w x 7.06" l,
- Binding: School & Library Binding
- Used Book in Good Condition
From Library Journal
Grade 7 Up-In this adaptation of Edmond Rostand's Cyrano de Bergerac, the St. Charles Players, utilizing background music and clear voices, successfully bring Cyrano's story to listeners. The moods of the characters are clearly portrayed through the variation of the actors' voices. Students will easily follow the tale about a man in love with an extraordinarily beautiful woman, Roxanne. Because of his appearance, Cyrano refuses to tell Roxanne of his love and, instead, helps Christian profess his feelings for her. Even after Christian dies in battle, Cyrano can't proclaim his love for Roxanne. The actors' voices are clear, the aural quality is excellent, and background sounds and music carry along the action. Students will enjoy listening to this classic story of love and loss.
Shelley Chick-Gravel, Abbot Public Library, Marblehead, MA
Copyright 1999 Reed Business Information, Inc.
Review
"[ Cyrano de Bergerac is a ] brilliant … unforgettable … impressive achievement … "
— Edmonton Journal
Language Notes
Text: French, English
Most helpful customer reviews
15 of 15 people found the following review helpful.
Carol Clark's Cyrano lacks panache'
By Jason L.
I currently own four different translations of Cyrano de Bergerac with another two more on the way. I am truly surprised to see how many new translations are being turned out of this wonderful classic. By far, three of the greatest are Brian Hooker's, Anthony Burgess' and Lowell Blair's. But I wanted to see what was new in the world of Cyrano. Penguin Books is known for its quality and I have seldom been let down.
In this case, I felt let down and disappointed. Carol Clark's translation just doesn't seem to have the feel for the character of Cyrano that so many of us have come to know and love. Though she is one of the few who ends the play with the word "panache'," her translation has too many spots that just don't feel the "white plume of freedom" Cyrano spoke of in rebellion to the the elite who wore their beauty, grace and flair on the outside and those who sucked up to them. Also, Carol Clark takes liberty in changing meaning in certain key places that I particularly did not care for at all. Perhaps her only true innovation is the proper gender tense he uses with regard to his sword which he regards as a "she" as in the original French. She gets too many things wrong to be commended for translating a Cyrano that will endure. I believe it is a novelty.
Let me emphasize that this is not a "bad" rendering "per se"; I feel strongly that it is just not a good rendering. It's merely AVERAGE, mediocre but as Cyrano believed in striving to be the best in everything, perhaps Carol Clark should have taken a page out of his book? I don't believe it will be any more understandable or accessable to today's reader than older translations and the reader will be losing out on so much with this rendering. I feel strongly that the Clark translation plays fast and loose in certain key areas even though she may make up for it in others. Thus she receives an "okay" three stars but I was sorely tempted to give her two.
If you are looking for a brand-new translation and are willing to let go of preconceptions, Carol Clark's Cyrano may be for you. BUT if you are new to Cyrano de Bergerac and want a truer and more faithful version to Edmond Rostand's orginal play, character and the language, I would strongly recommend avoiding this one and purchasing one of the following: any edition by Brian Hooker (his translation was behind the 1950 Jose Ferrer Academy Award winning performance of Cyrana), Lowell Blair (I've become more fond of this one with each reading) or finding one of the Anthony Burgess editions (Gerard Depardieu's Cyrano movie's English sub-titles as well as countless plays have used this edition). These three are all 5 star translations. Christopher Fry's rhyming couplet Cyrano by Oxford is good (4 star) but not up to the standard of the three authors I have listed as alternatives to Clark.
In conclusion, I would say this: Will I read this play more than once? Perhaps, but only for comparison to the other better translations of Cyrano I have but never for enjoyment as I do with my other versions. A newcomer to Cyrano might enjoy this rendering and fall in love with the character but I personally don't see how; the translator has robbed Cyrano of much of his inner panache' and the other characters of their own unique qualities. I do not believe this translation has any staying power and will quickly be swept aside for the familiar and better translations that have been around longer, having already stood the test of time. For while the authors I have cited as alternatives may have different styles, they all tap into Cyrano's inner panache', his white plume of freedom, flair and independence whereas Clark's version seems to me to be just revision for revisionist sake without any vision or pathos or the wit that has set Cyrano apart since 1897.
1 of 1 people found the following review helpful.
Play is great, edition is terrible
By Valentine Abbet
Cyrano de Bergerac (French Edition) I love the play but I have to say that I was very disappointed in this edition. There are NO ACCENTS anywhere and occasionally some spelling mistakes and typos. I would recommend the play but for sure not the edition!
1 of 1 people found the following review helpful.
Fantastic play and I received a DVD like a Christmas present!
By Jason L.
I am a HUGE Cyrano de Bergerac fan. To do proper justice to this statement, I would have to honestly have to say I have had almost a twenty year "love affair" with Cyrano. (No offense to my wife! LOL.)
This play is absolutely fantastic. I have never read this particular translation before today when I received it in the mail but I must say that I was quite impressed. I admit that I am used to seeing "panache'" rather than "white plume" but it's something I could get used to.
Cyrano is a man with a HUGE nose and the skill of wit and steel to back up any one who may dare attack his precious nose. The truth is that for all of his ferocity, he is really quite self-conscious and can never believe that anyone could ever love him. Thus the tragedy of our hero is that he is his own worst enemy. A poet, a warrior, a scientist, a hopeless romantic and though he would do anything for his secret beloved Roxanne, he leads a solitary lonely existence even as he faces death.
I know there are those who might say that this is not so. Was not Roxanne there when he died? Yes, but did he allow himself to be comforted and be held as he breathed out his last? No. He had to get up and look death right in the eyes as it were for one last battle. Facing his old enemies as he put it.
Cyrano de Bergerac is an absolutely amazing play with so much soul, so much wit, so much humanity, in short, so much NOSE that one would lose out NOT to read it. I feel I would be diminished had I never come across this play.
Now, the Christmas present in this particular edition! It comes with a FREE DVD version by the Chamberlain Brothers of Jose Ferrer's Oscar winning 1950 performance of Cyrano de Bergerac. I could not believe my eyes when I opened the package today! I believe there are some of this available from individual sellers. If the price is right, I would recommend it. If you are only interested in the Signet Classics play, Amazon has that to. Lowell Blair is the translator of this edition that I'm reviewing.
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