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George Herbert (1593-1633) lived in England during the tempestuous reigns of James I and Charles I that saw the nation racked by conflict among Catholics, Hugh Churchmen, and Puritans. A member of a politically-active family, Herbert rejected a promising career as a member of Parliament for the simple life of a country parson. While busily involved in his pastoral duties he produced works of poetry and prose that have earned him a long-established place in English literary history.
Collected here are two works originally published after Herbert's death at Bemerton in 1633: The Country Parson, a prose treatise on the duties, joys, and hardships of a pastor's life; and The Temple, a collection of poems. In them the literary genius of this humble priest whose spirituality was a synthesis of Evangelical and Catholic piety is revealed.
Herbert's appeal for today is summed up by A.M. Allchin in his preface to this volume: "Without glossing over the fragility and brokenness of man's experience of life in time, he managed to reaffirm the great unities of Christian faith and prayer. These are the unities which draw together the separated strands in the Christian heritage, which draw together past and present in a living an creative appropriation of tradition."
- Sales Rank: #411574 in Books
- Published on: 1981-01-01
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x 1.00" w x 6.00" l, 1.10 pounds
- Binding: Paperback
- 384 pages
About the Author
George Herbert (15931633) was educated at Westminster School and Trinity College, Cambridge, where he was appointed reader in rhetoric in 1618 and public orator in 1620. He attracted the attention of influential patrons, including King James I, before he took holy orders in 1626.
John Tobin is a professor of English literature at the University of Massachusetts, Boston.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A vein of gold that can and should be mined.
By Joshua Hopping
Born in 1593 into an aristocratic English family, George Herbert was educated at Westminster School and Cambridge University. After graduating from Cambridge, Herbert served in the Parliament for one term (1624) as the representative of Montgomeryshire in support of King James’ peaceful policies towards Spain. Once that term was over, Herbert returned to his original career goal of becoming a priest in Church of England. Accordingly, Herbert was ordained as a deacon in the fall of 1624 and a priest in 1630. Shortly before his ordination into the priesthood, Herbert had married Jane Danvers on March 5, 1629. Together they moved to Bemerton, a small rural village in the south of England, where Herbert was the parish rector until his death in 1633.
Both of Herbert’s works (“The Country Parson” and “The Temple”) were published after his death, making it hard to determine the actual date in which they were written. In the intro to “The Country Parson,” Herbert writes that he “resolved to set down the Form and Character of a true Pastor, that I may have a Mark to aim at” (page 54). With this in mind, it is assumed that Herbert pinned most of the work in the five years between when he was ordinated as a deacon and then a priest. The content of the work carries with it the assumption that everyone living in England at the time was a member of the Church of England. The goal of a parish pastor was then to be “the Deputy of Christ for the reducing of Man to the Obedience of God” through teaching and personal example (page 31).
The second major work of Herbert is a collection of religious poems written at various points in Herbert’s life. Combined into one volume, “The Temple” is divided into three sections with individual poems fitting the tone of their section. The first section, “The Church Porch”, is actually one long poem akin to Proverbs with practical advice for believers. The second section was simply called “The Church” and focuses on the prayers of the believers with echoes of Psalms and The Song of Solomon within the poems. The third and final section, “The Church Militant,” include poems about the history of the church similar to how the Old Testament narrative talk about the history of the people of Israel.
The poems themselves were filled with biblical language and imaginary. A.C. Charity called the technique that Herbert used “applied typology” as he used the typological language of the Bible to talk about present reality rather than a past event (page 41-42). The poem “Aaron” is a perfect example of this technique as Herbert contracts the actions of Aaron the High Priest with his own situations in being a country parson. Another technique that Herbert used was pattern poetry with the shape of the words on the page reflecting the content of the poem. “The Altar” is an example of this type of poems with the words of poem creating a picture of an altar while talking an altar.
While not a poetic connoisseur, the poems of “The Temple” did strike me as beautiful and carrying within them a lasting quality. I like how they are packed full of biblical typology and imaginary while relating to the practical world of life. “The Church Porch” was my favorite poem with the first half carrying the best material. “Jesu” was also a favorite with the imaginary of breaking Jesus’ name with our actions only to discover that he is the one who eases our pain.
“The Country Parson,” on the other hand, seemed to me to be one of rules and regulations. I understand what Herbert was trying to do; yet I personally find that such a high mark becomes a heavy burden to bear rather than a target to aim towards. In this, Herbert’s work reminded me of Gregory the Great’s book “Pastoral Care.” However, even with such a danger, both works have a vein of gold within them that can and should be mined.
25 of 25 people found the following review helpful.
Getting to the church on time...
By FrKurt Messick
George Herbert (1593-1633) has long been respected as a clergyman, poet, and spiritual master. Like many clergymen of his day, Herbert owed his position to a certain extent to his political connections - his family had some influence, and indeed, Herbert himself was probably destined for a parliamentary/political career, had another calling not seized him. He became a country parson, which was an ideal setting for Herbert, for it afforded him the time and the environment he needed to delve deeply into the human spirit, and produce works of depth and inspiration that make him an important figure in literary history.
Herbert's peaceful musings come at a time when the church in England was going through a tempestuous time. Herbert's poetry and prose strikes a chord with Catholics, Anglicans high and low, and Puritans, in different ways. Herbert's personal devotion and humility shines through his writings, and his works provide material for spiritual direction to a wide range of people to this day.
This volume includes two of Herbert's best known works - 'The Country Parson', a prose reflection of Herbert's own work as a pastor, which provides insight into his own spiritual work as well as a snapshot of life in the early seventeenth century, and 'The Temple', a collection of Herbert's poetry. Both works were published only after Herbert's death in 1633.
The underlying sensibilities in both prose and poetry are many of the same sources of much of English literary works: the Bible, the Book of Common Prayer, the works of Shakespeare, and the rapidly developing English language itself. The ever-shifting ground of political and spiritual realms, together with a rapidly changing intellectual climate, made England a dynamic place in many respects, yet Herbert's works show a permanence and a synthesis of concepts that is almost mystifying when one considers the background.
The Paulist Press volume includes a good preface setting the context by Arthur Macdonald Allchin, a residentiary canon of Canterbury Cathedral, and an interesting introduction of historical and literary detail by John Wall, Jr., at the time of writing a professor of English. The book is well indexed, and has a good, useful bibliography.
Herbert's work is indispensable for any one looking for a deeper spirituality, particularly within the context of a church community. For those with a suspicion or disdain for church, reading the struggles and honesty of a country parson is worthwhile. This particular volume is a good one for study and reflection.
4 of 4 people found the following review helpful.
Beautiful Religious Poetry + Godly Advice for Pastors
By Fr. Charles Erlandson
George Herbert's poetry is, to my ears, some of the best religious poetry ever written. I studied a lot of poetry in grad school, but Herbert remains at the very top of my own personal literary canon. In Herbert, the best of godly devotion and exquisite craftsmanship are married, and that is a rare thing.
This Paulist Press edition of the works of George Herbert includes Herbert's 2 major works: "The Temple" and "A Priest to the Temple." "The Temple" includes Herbert's beautiful church poetry. Although English metaphysical poetry may not be to everyone's taste, and it will be difficult for many modern readers, it's perfectly suited to mine. I love the whimsical word play and the delight in the English language that Herbert manifests. The form matches the matter, and it always seems as if the poems end when they should on a note of satisfaction and having said just what one wanted to say. Most important of all, Herbert's poetry assists me in my praise of and devotion to my Lord.
One of the most excellent aspects of Herbert's poetry is that it is not merely the individual meditations of a solitary Christian but is intimately connected to the life of Christ by being connected to His Bride, the Church. The structure of Herbert's collection, "The Temple," is aptly named. In summary, Herbert's poetry is a delight to my ears, my tongue, my mind, and my soul!
Herbert's poetry also has a very personal connection with me: I used to read it to my wife when we were courting and early in our marriage. Not only did it move her, but it also raised her estimation of me. Thank you, George Herbert!
Here is my favorite 2-line poem in the universe (from Herbert):
Ana {MARY
ARMY} gram
How well her name an Army doth present,
In whom the Lord of hosts did pitch his tent!
Herbert's "A Priest to the Temple" is subtitled: "Or The Country Parson, His Character, and Rule of Holy Life." Reading this manual on ministry gives you greater insight into where the profundity and godliness of Herbert's poetry comes from: in Herbert, the poet and priest are perfectly united. In it, Herbert addresses such subjects as "The Parson's Life," "The Parson Praying," "The Parson in His House," "The Parson in Mirth," etc. I'm using "A Priest to the Temple" in a seminary class I'm teaching on The Cure of Souls as an example for young priests to study and adapt to 21st century pastoral ministry.
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