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Focusing on the representation of same-sex desire in Victorian autobiographical writing, Oliver Buckton offers significant new readings of works by some of the most influential figures in late-nineteenth-century literature and culture. Combining original research, careful historical analysis, and contemporary theories of autobiography, gender, and sexual identity, he provides nuanced studies of confessional narratives by Edward Carpenter, John Henry Newman, John Addington Symonds, Oscar Wilde, and, in an epilogue, E. M. Forster.
By examining the "confessional" elements of these writings, Buckton brings "secrecy" into focus as a central and productive component of autobiographical discourse. He challenges the conventional view of secrecy as the suppression of information, instead using the term to suggest an oscillation between authorial self-disclosure and silence or reserve--a strategy for arousing the reader's interest and establishing a relation based on shared knowledge while deferring or displacing the revelation of potentially incriminating and scandalous desires. Though their
disclosures of same-sex desire jeopardized the cultural privilege granted these writers by Victorian codes of authorship and masculinity, their use of secrecy, Buckton shows, allowed them to protect themselves from Victorian stigma and to challenge prevailing constructions of sexual identity.
Originally published in 1998.
A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
- Sales Rank: #3573439 in Books
- Published on: 1998-06-22
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x .71" w x 6.13" l, .80 pounds
- Binding: Paperback
- 270 pages
Amazon.com Review
Those Victorians. For decades the prevailing presumption was that mid- to late-19th-century British sexuality was completely repressed, or at least hidden by shame-filled secrecy. Then, in the 1960s, historians began understanding the complexity and often shocking blatancy of Victorian eroticism. In Secret Selves: Confession and Same-Sex Desire in Victorian Autobiography, Oliver S. Buckton argues that literary "secrecy"--the very act of holding back information in a novel or memoir--was a primary and provocative indicator of Victorian homosexuality. Examining confessional writings by Edward Carpenter (whom many consider the moral and political forefather of the gay movement), John Henry Cardinal Newman, John Addington Symonds, and Oscar Wilde, Buckton discovers that all of them say a great deal more than they seem to by quite consciously saying much less.
While Buckton's logic feels, at first, counterintuitive, it is ultimately extraordinarily convincing. His chapters on Carpenter and Symonds are strong, though a little predictable; his exegesis of Newman's Apologia Pro Vita Sua is stunning; and his scanning of Oscar Wilde's work--particularly the already much-analyzed The Importance of Being Ernest and The Picture of Dorian Gray--is original and constantly surprising. Secret Selves promises new, invigorating thinking about gay writing and history, and it delivers in full. --Michael Bronski
Review
"Dense and closely argued . . . opens a new door in both Victorian and autobiographical studies."--"South Central Review"
"Buckton [has a] welcome ability to merge theoretical dexterity and attentive studies of texts in his own highly readable narrative."--"Victorian Literature and Culture"
"In an extremely readable and well-written study, Buckton provides original readings of the relationship between secrecy and autobiography in major Victorian works. "Secret Selves" is historically informed and compelling. It will break new ground in the area of Victorian autobiography."--Mary Poovey, New York University
"In this major new study, Oliver Buckton widens the range of canonical works within Victorian autobiography by making a convincing case for the importance of John Addington Symond's "Memoirs" and Edward Carpenter's "My Days and Dreams" in addition to more familiar titles such as Newman's "Apologia pro Vita Sua" and Wilde's "De Profundis". Buckton demonstrates the special importance of this genre in the social construction of modern homosexuality and the fact that desire between men is a much more varied phenomenon, more closely tied to particular rhetorical strategies than is usually taken to be the case. This book will change the course of both Victorian and gay studies."--Richard Dellamora, author of "Masculine Desire: The Sexual Politics of Victorian Aestheticism"
Review
In this major new study, Oliver Buckton widens the range of canonical works within Victorian autobiography by making a convincing case for the importance of John Addington Symond's Memoirs and Edward Carpenter's My Days and Dreams in addition to more familiar titles such as Newman's Apologia pro Vita Sua and Wilde's De Profundis. Buckton demonstrates the special importance of this genre in the social construction of modern homosexuality and the fact that desire between men is a much more varied phenomenon, more closely tied to particular rhetorical strategies than is usually taken to be the case. This book will change the course of both Victorian and gay studies.--Richard Dellamora, author of Masculine Desire: The Sexual Politics of Victorian Aestheticism
Buckton [has a] welcome ability to merge theoretical dexterity and attentive studies of texts in his own highly readable narrative.--Victorian Literature and Culture
In an extremely readable and well-written study, Buckton provides original readings of the relationship between secrecy and autobiography in major Victorian works. Secret Selves is historically informed and compelling. It will break new ground in the area of Victorian autobiography.--Mary Poovey, New York University
Dense and closely argued . . . opens a new door in both Victorian and autobiographical studies.--South Central Review
Most helpful customer reviews
2 of 3 people found the following review helpful.
Victorian Era...as it is...not as perceived...
By A Customer
Bravo to Oliver Buckton for unmasking the stuffy conventions of Victorian life and revealing the true erotic nature of this seemingly reserved society. Dr. Buckton, with a bit of wit and wry humor offers up to the the reader the unmasking of such writers as Forster and Carpenter, yet it is his nonjudgemental style and flair for literary analysis that makes this book a better read then most others on this subject. He makes no apology for his subject matter, and if anything, this is his confessional too as he purges the findings of his research allowing conventional readers to peep into an erotic world without fear of shame. I feel any English major would benefit greatly from this book and certainly would shake up their professors with these stunning concepts....A must for the Grad student!
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